{"id":1094,"date":"2015-11-12T14:40:55","date_gmt":"2015-11-12T13:40:55","guid":{"rendered":"https:\/\/www.viadanse.com\/?page_id=1094"},"modified":"2015-11-29T10:19:47","modified_gmt":"2015-11-29T09:19:47","slug":"titre-en-anglais","status":"publish","type":"page","link":"https:\/\/www.viadanse.com\/en\/titre-en-anglais\/","title":{"rendered":"Artistic collaborators"},"content":{"rendered":"

[vc_row][vc_column width=”1\/4″ animation=”none” column_padding=”no-padding” column_center=”” text_size=”petit” text_align=”left” el_class=”text-left”][minti_headline type=”h2″ font=”font-inherit” size=”fontsize-m” weight=”fontweight-inherit” lineheight=”lh-inherit” transform=”transform-inherit” align=”align-center” margin=”0 0 20px 0″]Ils participent \u00e0 la r\u00e9alisation des spectacles[\/minti_headline][\/vc_column][vc_column width=”3\/4″][vc_accordion collapsible=”yes” disable_keyboard=”” active_tab=”0″][vc_accordion_tab title=”Sarath AMARASINGAM<\/strong>, dancer”][vc_column_text]Sarath Amarasingam is self-taught in hip hop, Indian and contemporary dance. He has danced with Emmanuelle Vo- Dinh, Santiago Sempere, Jean-Christophe Bleton, Michel Lestr\u00e9han and Marion Ruchti. Since 2008, he has collaborated with Haim Isaacs, Rochelle Haley, Isabelle Lef\u00e8vre, Vadim Vernay and Fabio Bello. He is interested in \u201chybrid movement\u201d and continues to explore the idea of blending and mixing which he develops in several projects he calls \u201cdances in dialogue.\u201d
\nIn 2014, he joined the Centre Chor\u00e9graphique National de Caen\/ Basse-Normandie for the creation of Waves<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Matthieu BAJOLET<\/strong>, dancer”][vc_column_text]Matthieu Bajolet first studied at the CNSM in Lyon, working in a range of styles including Jos\u00e9 Limon, Denis Plassard, Dominique Bagouet and Merce Cunningham \u2026 In 2002, he entered the prestigious P.A.R.T.S. school under the direction of Anne Teresa de Keersmaeker. From 2006 to 2009, he was a dancer in 1000 d\u00e9parts de muscles<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux, directors of the Centre Chor\u00e9graphique National de Caen\/ Basse-Normandie. He also worked with les Gens d\u2019Uterpan, Fran\u00e7ois Raffinot, Thomas Lebrun, Geisha Fontaine and Pierre Cottreau, Dominique Brun, Lionel Hoche and created a duo with Judith Gars at Mains d’\u0153uvres in April 2009: He’s dead, Jim<\/em>.
\nMathieu Bajolet has also worked on several projects with Myl\u00e8ne Benoit and Olivier Normand for ICI<\/em>. Since 2010, he has performed for Joanne Leighton in Made in … S\u00e9rie<\/em>, Exquisite Corpse<\/em> and Les Modulables<\/em>.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Marine CHESNAIS<\/strong>, dancer”][vc_column_text]Having studied jazz and hip hop dance in her youth, Marine Chesnais then discovered contemporary dance. She first studied at the Conservatory in Angers and then continued studying at the CNSM in Paris, beginning in 2003. For five years she worked with, among others Rosalind Crisp, Daniel Dobbels, Christine Bastin, Paco D\u00e8cina and Pedro Pauwels. At the same time she studied in France and abroad with Joseph Nadj, Angelin Preljocaj, Emio Greco, Wim Vandekeybus \u2026 and also with Brigitte Asselineau who initiated her into butoh and martial arts.
\nHaving earned her degree, Marine Chesnais began dancing with H\u00e9la Fattoumi and \u00c9ric Lamoureux, participating in Performance Giacometti<\/em> (2008), express2temps<\/em> (2008), 1000 d\u00e9parts de muscles<\/em> (2007) and Just to Dance\u2026<\/em>, created in 2010).[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Gaspar CLAUS<\/strong>, composer and musician”][vc_column_text]Born in 1983, Gaspar Claus, son of the famous Flamenco guitarist Pedro Soler, began studying the cello at the age of 5. He continued his classical training with great teachers such as Philip Muller at the CNSM of Paris. But Gaspard also wished to expand his range, working in pop music (with Ramona Cordova, Damo Suzuki, Cali \u2026), electro (Joakim de Tigersushi), and experimental music. He also worked with dancers (Nina Dipla and Moeno Wakamatsu), actors (Anne Alvaro, Serge Pey), masseurs and animals \u2026 which marked the genesis of \u201cSchrodinger\u2019s cat,\u201d an extravagant work blending music, physics and domestic animals! And then there\u2019s the crazy duo he created with a masseur at a Christmas market in Berlin!<\/p>\n

In 2011, still seeking new artistic experiences, he began working in Flamenco music with his father, Pedro Soler, on the album Barlande. He joined the team on Waves<\/em>, alternating with Zack Miskin on tour.
\nGaspar Claus is a unique artist who may rub, strike, caress or mistreat his cello to fulfill his musical needs: \u201cI don\u2019t feel like I belong to any one tradition, instead I am participating in the decompartmentalizing of musical genres.\u201d[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Matthieu COULON<\/strong>, dancer”][vc_column_text]Having studied dance in a program proposed by Laurence Guilleux at the SUAPS of Caen, Matthieu Coulon joined the Compagnie\u00a0CHanTier21THe\u0301a\u0302Tre (Antonin M\u00e9nard) at the same time he studied performing arts with a focus on film. In 2008, he began collaborating with the Compagnie alleRetour. Since then he has continued working with both companies, working in both theatre and dance.
\nIn 2011, he worked with Sophie Qu\u00e9non (ACDS-Dernier soupir) on Trace … nos \u00e9critures<\/em> and in 2013 he joined the Centre Chor\u00e9graphique National de Caen\/ Basse Normandie and participated in the creation of Waves<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Jim COUTURIER<\/strong>, dancer”][vc_column_text]Jim Couturier began studying contemporary dance at the age of 5, with his mother, Claudine Couturier. At 9 he knew he wanted to be a dancer and began studying different styles of dance: jazz, hip hop and ballet. He also enjoyed sports, playing soccer, and studying both gymnastics and circus arts.
\nIn 2005, he entered the CNSM in Paris, studying with Susan Alexander, Peter Goss, Florence Vitrac, Christine G\u00e9rard, Didier Shilol, Andr\u00e9 Lafonta, Serge Ricci, Thomas Lebrun, Angelin Preljocaj and Hofesh Shechter.
\nHe earned his degree in 2012 and began working in dance- theatre with the Compagnie Toujours apr\u00e8s minuit (Roser Montllo Guberna and Brigitte Seth) and Didascalie (Vincent Morrieux). He then co-founded the Compagnie A.J.T with Aymeric Bichon, Aurore Godfroy and Thalia Ziliotis. He also danced with the choreographer Herv\u00e9 Diasnas and joined the Centre Chor\u00e9graphique National de Caen\/ Basse-Normandie in 2013 for Fl\u00e2nerie and then participated in the creation of Waves<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Ana\u00efs DUMAINE<\/strong>, dancer”][vc_column_text]Ana\u00efs Dumaine began studying contemporary dance in the Caen community. After studying environmental biology at the University of Caen, she joined the Professional Orientation cycle at the Caen Conservatory from 2006 to 2009. During this time she encountered Dominique J\u00e9gou, working on the repertory of the late choreographer Dominique Bagouet, for whom she became both assistant and dancer in 2010.
\nShe continued studying in Belgium in workshops directed by Joanne Leighton, Fabrice Ramalingom, Martin Kilvady and Zo\u00e9 Poluch, and in New York she studied with Irene Hultmann at Movement Research. In 2010 she participated in the research workshop led by Boris Charmatz for his creation Lev\u00e9e des conflits<\/em>. She then joined H\u00e9la Fattoumi and \u00c9ric Lamoureux for the creation of Circl<\/em>e with amateur dancers and Lost in Burqa<\/em> in 2011.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Lea DODIK<\/strong>, dancer”][vc_column_text]A young Swedish dancer, 23 years old, Lea Dodik began dancing at a very young age at the MAF in Malm\u00f6. She was an active collaborator in the Gryningsteatern collective and studied at both the Ballet Academy of Stockholm and the Rotterdam Dance Academy in 2011. Along with her own work (installation and performance), she danced for the choreographers Catarina de Oliveira and Ingrid Rosborg. In January 2012, she met the choreographers H\u00e9la Fattoumi and \u00c9ric Lamoureux during their research residency in Malm\u00f6.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Jean-No\u00ebl FRAN\u00c7OISE<\/strong>, sound designer”][vc_column_text]A self-taught musician, Jean-No\u00ebl Fran\u00e7oise worked with a number of rock and experimental groups in the early 90s. At the same time he composed the soundtracks for a number of short films by Norman directors, one of which was 5 Lettres \u00e0 Edward Muybridge<\/em> by \u00c9douard Monet, presented at national and international festivals.
\nA multi-instrumentalist, composer and arranger, he now works with live performing arts.
\nIn dance he collaborated on the sound score for 1000 d\u00e9parts de muscles<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux. He also composed for Life Like<\/em> for the Compagnie Silenda and has worked since 2009 with the Congolese company Baninga\/ DeLaVallet Bidiefono which was a highlight of the Francophonies de Limoges and the Hivernales.
\nIn theatre, he has worked with David Bob\u00e9e\u2019s Rictus group on several pieces: Cannibales, Petit Fr\u00e8re, Nos enfants nous font peur quand on les croise dans la rue, Gilles, This is the end<\/em> and Rom\u00e9o et Juliette<\/em>. He created the sound scores for the Compagnie des Furies (formerly Le Globe) of the Fauvel brothers, notably L\u2019\u00c9lan Bleu<\/em>. For Fr\u00e9d\u00e9ric Deslias, he composed for Le Clair Obscur<\/em> and for Hermself,<\/em> which recently won an award at the festival Les Bains Num\u00e9riques and finally for the Tentations d\u2019Aliocha<\/em> of the Panta Th\u00e9\u00e2tre.
\nHe also participates in music workshops and readings with music for the Festival La Paix in Caen, and in hospital and prison settings. He organized the P\u00f4le Musical for the annual project of the Basse-Normandie region in Norman high schools, coordinated this year by Antonin M\u00e9nard. In addition, he is a member of the Pur\u00e9e Noire collective where he experiments with other fields of acoustic action: concerts, improvized music, installations, \u201ccin\u00e9mix.\u201d He works with Akelnon for their week entitled Dia de los Muertos<\/em> in the church Saint-\u001eSauveur in Caen and for the Ateliers Interm\u00e9diaires.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”M\u00e9lanie GIFFARD<\/strong>, dancer”][vc_column_text]From 2006- 2008, M\u00e9lanie Giffard danced for Jacky Auvray. In 2008, she joined the training program “De l\u2019interpr\u00e8te \u00e0 l\u2019auteur” at the Centre Chor\u00e9graphique National de Rillieux-La-Pape, directed at that time by Maguy Marin. In 2009, she attended a series of workshops with Vincent Dupont who invited her to observe the creation of Souffles<\/em> at the M\u00e9nagerie de Verre. At the same time she created Brouhaha in Berlin<\/em>, a solo about family relationships. In 2010, she attended Boris Charmatz\u2019 workshop for his creation Lev\u00e9e des Conflits<\/em>. She participated in Skite, a laboratory and meeting project between artists, initiated by Jean-Marc Adolphe and Danse Perspective in Caen and danced with Daniel Clifton, an American choreographer. There she met Garance Dor and Maud Le Pladec. In 2011, she joined H\u00e9la Fattoumi and \u00c9ric Lamoureux for the creations of Circle<\/em> with amateur dancers and Lost in Burqa<\/em>.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Sandrine KOLASSA<\/strong>, dancer”][vc_column_text]Having trained at the Conservatory of Angers, Sandrine Kolassa then attended the Conservatory in Lyon, then the CNSM of Paris where she earned her degree in Choreographic Studies as well as a unanimously awarded 1st prize in 1999.
\nAt the same time she attended many professional-level courses, notably with Fran\u00e7oise and Dominique Dupuy with whom she worked for several years. More recently she encountered Nadine Beaulieu. She also studied contact improv and improv with Claire Filmon, Mark Tompkins, U. Stauffer, Christine Burgos, Anne\u001eMarie Pascoli and Jos\u00e9 Vidal.
\nFor several years now she has danced for the choreographers Didier Th\u00e9ron, Fran\u00e7ois Ben A\u00efm, Jean\u001eAntoine Bigot and Anne Lebatard (compagnie Ex-Nihilo), H\u00e9la Fattoumi and \u00c9ric Lamoureux (Centre chor\u00e9graphique National de Caen\/ Basse-Normmandie), Laura Simi\/Damiano Fo\u00e0 (cie Silenda), Pierre Deloche, Cathy David, Serge Papiernick, Collectif Eph\u00e9m\u00e8re (improvization). In 2007, she and Philippe Rouaire co-founded the Compagnie Shayela. In 1996, she earned her French national degree as a dance teacher.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Majida KHATTARI<\/strong>, plastician”][vc_column_text]Born in Morocco in 1966, Majida Khattari studied at the Beaux Arts School in Casablanca, then at the Beaux-Arts School in Paris.
\nSince 1996, Majida Khattari has created runway shows\/ performances inspired by the situation of women in Arab society. She examines the concepts of freedom and the relationship with the body and conceives and creates sculptured clothing for models who are then placed onstage. She fully stages her performances, using voice, music and dance. Her \u201cclothing\u201d address the idea of confinement, referencing the current political situation and questions of secularity and religion. She also takes photographs, creates installations, videos and films.
\nIn 2010, her runway show VIP: Voile Islamique Parisien<\/em>, presented at the Th\u00e9\u00e2tre de la Cit\u00e9 Internationale in Paris, was a significant development in the artist\u2019s work. By moving into the fashion world, Majida Khattari declared that the reality of confining women\u2019s bodies encompasses more than the veil or other religious covering. The elitist, codified world of fashion shows us another way of imprisoning bodies and minds. In her performance pieces, the form of the runway show, the way the models move, the choice of fabrics, the manipulation of the logos \u2013 all help to show how fashion and its diktats may be equally alienating in terms of women in society.<\/p>\n

In 2010, Majida Khattari attended a performance of Manta<\/em>, a creation by H\u00e9la Fattoumi and \u00c9ric Lamoureux, directors of the Centre Chor\u00e9graphique National de Caen\/ Basse-Normandie. The freedom of women and the questioning of the Muslim veil in the imagination were subjects the choreographers and the plastician had in common \u2013 and it led to the creation of a new work, Lost in Burqa<\/em>. The performance, conceived by H\u00e9la Fattoumi and \u00c9ric Lamoureux based on works by Majida Khattari, was programmed as part of the 6th festival Danse d\u2019Ailleurs<\/em> proposed by the CCNC\/ BN to the Ecole Sup\u00e9rieure of arts and media in Caen. And at the same time the Artoth\u00e8que of Caen presented the exhibition Captives<\/em> by Majida Khattar.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Marilyne LAFAY<\/strong>, costumes”][vc_column_text]Specializing in the creation of costumes for dance, Maryline Lafay created her first pieces for the works of Philippe D\u00e9coufl\u00e9. She has also created costumes for Josette Ba\u00efz and Franck II Louise and worked on costumes by Fabrice Hyber for Les 4 saisons<\/em> by Angelin Preljocaj.<\/p>\n

She approaches a dance costume as an object which will enhance or transcend movement. She has worked with H\u00e9la Fattoumi and \u00c9ric Lamoureux since 2007 notably for St\u00e8les<\/em> at the Louvre Museum (2009) and for Giacometti<\/em> at the Beaux Arts Museum in Caen ( 2008), as well as for other creations such as Apparat<\/em> and 1000 d\u00e9parts de muscles.<\/em>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Xavier LAZARINI<\/strong>, lighting designer, set designer”][vc_column_text]Xavier Lazarini learned to design lighting through a series of courses (ISTS, CFPTS, the Ecole Nationale Louis Lumi\u00e8re) and while working as an assistant to Marie-Christine Soma, R\u00e9mi Nicolas and Dominique Brugui\u00e8re. He worked in different artistic areas, including theatre with Dieudonn\u00e9 Niangouna, in new circus arts with the Cie Moglice – Von Verx, and also in museography and other events (music festivals, fashion shows, architectural lighting). In contemporary dance he has worked with H\u00e9la Fattoumi and \u00c9ric Lamoureux for ten years, and also with Franck II Louise, Radhouane El Meddeb, Xavier Lot and Hafiz Dhaou. He was also principal stage manager for the Compagnie Josef Nadj – CCN d\u2019Orl\u00e9ans from 1998 to 2005.<\/p>\n

He also works to develop new materials and new creative tools, optimizing adaptations used in the touring of productions.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Guillaume LANTONNET<\/strong>, musician”][vc_column_text]Born in France in 1980, Guillaume Lantonnet was interested in all forms of music but focused rapidly on percussion instruments and drums. He was interested in classical and contemporary music as well as creation, multiplying collaborations with other artists in various musical and theatrical settings, including jazz and pop music. He has worked with the Orchestra de la Suisse Romande under the direction of Vladimir Ashkenazy, Armin Jordan and Ernst Von Donanhyi; in Le Sacre Du Tympan<\/em> by Fred Pallem as well as with Andr\u00e9 Minvielle, Jean-Marie Machado and Daphn\u00e9. He has appeared with Fran\u00e7ois Morel, Philippe Katerine, Olivia Ruiz, B\u00e9nabar, Lucr\u00e8ce Sassella, Luz Casal, F\u00e9loche … with Eklekto (Geneva Percussion Center), Cairn et Contrechamps, creating as a soloist or with the ensemble the works of the composer Philippe Hurel, Emmanuel Nunes, Luis Naon and Pierre Jodlowsky.<\/p>\n

He studied in France with Francis Brana and Jacques-Fran\u00e7ois Juskowiak, in Switzerland with Jean Geoffroy, William Blank and Yves Brustaux at the Haute \u00c9cole de Musique in Geneva. Then with the composer Georges Aperghis in the post-graduate course at the Th\u00e9\u00e2tre Musical at the Hochshule der Kunst in Bern.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Bastien LEF\u00c8VRE<\/strong>, dancer”][vc_column_text]After training at the Coline program in Istres in 2008, Bastien Lef\u00e8vre joined the Compagnie Kelemenis for the creation of L\u2019Amoureuse de monsieur muscle<\/em>, a young audiences piece, and for the revival of Al\u00e9a<\/em>. In 2009 he participated in the creation of Disgr\u00e2ce<\/em>. At the same time, he danced in Au bois dormant<\/em> proposed by Thierry Thie\u00fb Niang and Patrice Ch\u00e9reau. He met the actor Jacques Gamblin onstage during a danced reading performed at the Festival des Correspondances in Manosque and worked with him on the creation of Tout est normal mon c\u0153ur scintille.<\/em><\/p>\n

In 2010, he collaborated with Thierry Thie\u00fb Niang on Le Bel Age, Mon corps mon lieu<\/em> and in the carte blanche evening for Patrice Ch\u00e9reau at the Louvre, D\u2019autres visages et d\u2019autres corps.<\/em> He also participated in Skite 2010 in Caen, a research residency initiated by Jean-Marc Adolphe.<\/p>\n

In 2011 and 2012, he assisted Thierry Thie\u00fb Niang on Les Z\u00e9niths et Personne(s)<\/em> and joined Herv\u00e9 Robbe with Travelling and Co. on the creation of Slogans<\/em>. In 2013, he performed with H\u00e9la Fattoumi and \u00c9ric Lamoureux for the revivals of Just to dance…,<\/em> Husa\u00efs<\/em> and Solstice (remix)<\/em>, Fl\u00e2nerie<\/em> and Waves<\/em>.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Johanna MANDONNET<\/strong>, dancer”][vc_column_text]Born in Antananarivo (Madagascar), Johanna Mandonnet began studying dance in Clermont-Ferrand. She continued studying at the CNDC in Angers, working with the techniques of Matthew Hawkins, Norio Yoshida, Marie-France Delieuvin, while at the same time she discovered the work of Dominique Dupuis and Carlotta Ikeda. She also danced in works by Cyril Davy, Claude Brumachon and Abou Lagraa.
\nLater she worked with Isira Makuloluwe and P\u00e0l Fren\u00e0k (Frisson). Xavier Lot choreographed On n\u2019arrache pas les p\u00e9tales de fleurs \u00e0 mains nue<\/em> for her, a solo about the identity of the African woman. Since then she joined the Cie Toufik OI for #IM3<\/em> and Zoon<\/em>, and collaborated with the Cie CHATHA \u2013 A\u00efcha M\u2019Barek and Hafiz Dhaou on Khaddem Hazem<\/em> (2004), Vu, Khargba<\/em> \u2013 Jeu de pouvoir<\/em> (2011)). She joined the Compagnie L\u2019Adret in 2009 for the creation of Sumbiosis<\/em> and in 2010 for En Lisi\u00e8re<\/em>. She performed in Masculines<\/em> and Waves<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Cl\u00e9mentine MAUBON<\/strong>, dancer”][vc_column_text]Cl\u00e9mentine Maubon was born in Angers in 1987. After studying gymnastics for several years, she studied at the CNR in Angers, then at the CNR in Paris. In 2006, she entered the professional training program Coline for two years, participating in the creation of Sextet<\/em> by Herv\u00e9 Robbe, D\u2019une virgule \u00e0 l\u2019autre<\/em>, a creation by Odile Duboc and revivals such as Al\u00e9a<\/em> by Michel Kelemenis and 99 duos<\/em> by Jean-Claude Gallotta. She then joined the PRCC \u2013 Choreographic Research and Composition Program at the Royaumont Foundation, directed by Myriam Gourfink. She also worked with five young choreographers.<\/p>\n

She also joined the Cie Les Gens d\u2019Uterpan to participate in Parterre<\/em>, Assis-Debout-Couch\u00e9<\/em> as well as The Great Learning, paragraphe 5<\/em>; 1969<\/em> (by Corn\u00e9lius Cardew) and Pi\u00e8ce en sept morceaux.<\/em> Shortly thereafter she also joined the Cie Gianni Joseph for the revival of Ladies<\/em> et Ladies\u2019 Men,<\/em> of Ego\u00efstes<\/em> and Play Me Again<\/em>. She later met Olivier Dubois who offered her a role in R\u00e9volution,<\/em> and she participated in the project by Paquito and Anne Reymann, 3,5 tonnes<\/em> et un Fa #<\/em>. She also worked with Fr\u00e9d\u00e9ric Werl\u00e9 for the creation of La v\u00e9ridique et tr\u00e8s v\u00e9ritable histoire d\u2019amour de Carmen Dragon et Louis Loiseau<\/em>. In 2012, she joined the Centre Chor\u00e9graphique National de Caen\/ Basse-Normandie for Masculines<\/em> and Waves<\/em>, by H\u00e9la Fattoumi and \u00c9ric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Zack MISKIN<\/strong>, composor and musician”][vc_column_text]Zachary Miskin is an American composer and cellist who lives in Paris. Born in New York to a music-loving family, he was immediately interested in music and specifically the cello. The idea of pushing and incorporating classical conventions of the instrument in non-traditional contexts: experimental, pop, serial, electro-acoustic folk \u2013 all of it has been a catalyst for a number of compositions, concerts, collaborations and recordings by artists who easily cross genres and artistic disciplines.
\nAn artist signed by Naive, he has performed in many important concert halls and festivals, in a wide range of collaborations across disciplines. Zachary Miskin is inspired by innovation in creation and is an expert advisor for many subsidized theatres in France, working also in programming for theatres in Paris, notably La Ga\u00eet\u00e9 Lyrique.
\nHe began studying in New York, studied music and philosophy at Vanderbilt University before coming to Paris to study with Alain Meunier at the Conservatory. He plays a Barbieri cello (also known at the CBBG Miskin).[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”St\u00e9phane PAUVRET<\/strong>, set design”][vc_column_text]Having trained at the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs in Strasbourg, St\u00e9phane Pauvret also earned a post-graduate degree in scenology and a post-grad international diploma at the \u00c9cole r\u00e9gionale des Beaux-Arts in Nantes. He is part of a new generation, interested in permanent exchange with other artists, plasticians, directors and choreographers \u2026 working alternately as a set designer, video director, film programmer and photographer, using techniques and concepts directly related to his experience workingo onstage. He is especially interested in \u201cdecontextualizing\u201d certain practices in the field of contemporary art and film.
\nHe often collaborates with the director B\u00e9reng\u00e8re Jannelle (Arborescence, <\/em>2008, Le Cid<\/em>, 2007; Une soir\u00e9e chez les Fox<\/em>, 2006; O Adversario<\/em>, 2002\/ 03; Le D\u00e9cameron<\/em>, 2000), with the Lieu Unique in Nantes (Camping Sauvage<\/em>, 2005; Nuit \u00e9toil\u00e9e<\/em>, 2002, and designed the permanent lighting for its Lieu de vie space) and beginning in 2007 with H\u00e9la Fattoumi and \u00c9ric Lamoureux for 1000 d\u00e9parts de muscles<\/em> and Express de temps<\/em> in 2008.
\nIn 1998, he began creating sets in Strasbourg for the contemporary music festival Musica and the cultural TV channel Arte. As a regular collaborator at the Le Maillon theatre, Sc\u00e8ne europ\u00e9enne de Strasbourg, he met the director Rom\u00e9o Castellucci whom he assisted in Italy during the winter of 1999 for the creation of Genesi<\/em> and Voyage au bout de la nuit<\/em>. He participated in collective exhibitions in Paris (Nuit Blanche, 2003; Galerie Glassbox, 2003),Nantes (at the Lieu Unique, 2005; at the Museum of Beaux- Arts, 2004; at the gallery of the Regional School of Beaux-Arts, 2002 and 2003).
\nIn 2004, he was awarded the Plastic Arts Prize from the city of Nantes for the entirety of his work. In 2008 he presented his first one man show at the FRAC of the Loire region.
\nHis most recent designs have been for LIFE (Lieu international des Formes \u00e9mergentes) in Saint Nazaire, directed by Christophe Wavelet; Global Life Japan<\/em> 2007, Live\/ Life 2008 and 2009. For B\u00e9rang\u00e8re Jannelle he created La P\u00e9richole<\/em> d\u2019Offenbach at the Lille Opera in 2009. For \u00c9l\u00e9onore Weber: Rendre une vie vivable n\u2019a rien d\u2019une question vaine, a creation at the Avignon Festival in 2007, Tu supposes un coin d\u2019herbe, a creation at the TNB in Rennes and at the Th\u00e9\u00e2tre de La Bastille, 2007.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Peter VON POEHL<\/strong>, singer, musician and composer”][vc_column_text]Peter von Poehl was born on March 31, 1972 in Malm\u00f6, Sweden. In the early 2000s, he collaborated with Bertrand Burgalat and his Parisian label Tricatel, in particular on the album by the writer Michel Houellebecq, Pr\u00e9sence humaine. He then offered his talents as director, musician and composer to artists as different as Alain Chamfort, Depeche Mode and Bertrand Burgalat himself. When Tricatel\u2019s recording studio in Paris closed, Peter von Poehl continued to produce recordings for other artists, among them Doriand (Le Grand Bain<\/em>, 2004), Lio (Dites au Prince Charmant<\/em>, 2005), Florian Horwath (We Are All Gold<\/em>, 2005), Vincent Delerm (Les Piq\u00fbres d\u2019araign\u00e9e,<\/em> 2006) and Marie Modiano (Outland<\/em>, 2008).
\nHis first solo album, Going To Where The Tea Trees Are<\/em> was released in 2006 by the well-known French label T\u00f4t ou Tard, then by several independent labels such as Bella Union (UK), World\u2019s Fair (USA) and Speak n\u2019 Spell (Australia). The album received tremendous reviews and the use of his song The Story Of The Impossible<\/em> in a film expanded his music to reach an even wider audience. He then toured in France and around the world opening for important artists such as Air, Phoenix, St Vincent and Brian Wilson. His second album May Day<\/em> was released in 2009, co-produced by Christoffer Lundquist and recorded at the AGM studio of Vallarum in southern Sweden. Again a tour followed the release, in which he performed alongside Ben Harper, Wild beasts and Peter Doherty. In 2010, he represented Sweden at the World\u2019s Fair in Shanghai.
\nHis third studio album, Big Issues Printed Small<\/em>, was released in March 2013. In close collaboration with the arranger Martin Hederos, the album is based on a score written and developed for different orchestral formations as large as 40 musicians \u2013 which he performed in a series of concerts at the Salle Pleyel in Paris or the Rennes Opera. After an absence of nearly 4 years, audiences and the press acclaimed the new album and welcomed Peter von Poehl back to the stage.
\nVon Poehl also composes film soundtracks, among them the cult classic Vanishing Waves<\/em> by the Lithuanian Kristina Buozyt\u00e9 in 2012 and Main dans la main<\/em> by Val\u00e9rie Donzelli (France, 2012); she had already used some of his music for her film La Guerre est d\u00e9clar\u00e9e<\/em> (2011). In 2013, he began working with the choreographers H\u00e9la Fattoumi and \u00c9ric Lamoureux, composing an original score for symphony orchestra.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Philippe ROUAIRE<\/strong>, dancer”][vc_column_text]After studying at the CNR in Caen under the direction of Julien Le Hoangan and also attending university, Philippe Rouaire participated in a number of choreographic projects around the Normandy region.Beginning in 2000, he began performing in France and abroad, working with, among others, Isabelle Pillon, Santiago Sempere, Erika Zueneli, Jens Bjeregaard (Denmark), Damiano Fo\u00e0 and Laura Simi. He also trained with other choreographers, Lloyd Newson (DV8 Physical Theater), Jordi Cort\u00e8s-Molina (contact-partnering), Jess Curtis (low flying movement, contact), Thomas Haeurt (improvization), Hans van der Broeck (les ballets C. de la B.) and Joanne Leighton (release technique).
\nSince 2008, he has danced with H\u00e9la Fattoumi and \u00c9ric Lamoureux, notably in express2temps<\/em> (2008), Just to dance\u2026<\/em> (2010) and in the performance pieces Giacomett<\/em>i (Museum of Beaux-Arts, Caen, 2008), St\u00e8les<\/em> (Louvre Museum, 2009), Circle<\/em> (2011) and Fl\u00e2nerie<\/em> (Museum of Beaux- Arts, Caen, 2013).In 2007, he and Sandrine Kolassa founded the Compagnie Shayela; he co-signed with her their first duo Limbes<\/em> in 2008. In 2011, he met Thierry Thie\u00fb Niang who created for him the solo Un c\u0153ur br\u00fblant<\/em> as part of the Histoires exquises<\/em> project initiated by the choreographer Emmanuelle Vo-Dinh. In 2014, he danced for Sophie Lamarche Damoure\/ Compagnie itra and for several years he has been involved in pedagogical outreach in contemporary dance as part of the Danse \u00e0 l\u2019h\u00f4pital program, among others.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Alissa SHIRAISHI<\/strong>, dancer”][vc_column_text]Alissa Shiraishi was born in 1976. Inspired by her father\u2019s music, she chose art as her life\u2019s work at a very young age. After studying fashion design at the University of Plastic Arts in Kyoto and a first experience designing for dance concerts, Alissa Shiraishi began studying contemporary dance: in 2006 she attended the Dance Institute of Akira Kasai and worked on the various \u201cCoaching Projects\u201d of the Art Center and the courses at the Hot Summer Office in Kyoto, notably in classes with guest teachers such as \u00c9ric Lamoureux and Didier Th\u00e9ron, with whom a collaboration began. In 2007, she danced in Harakiri<\/em>, then Nous autres<\/em> (2008) and Gonfl\u00e9s<\/em> (2009), works choreographed by Didier Th\u00e9ron. In 2009, she was selected by H\u00e9la Fattoumi and \u00c9ric Lamoureux for Just to dance\u2026<\/em> and recently she collaborated with David Wampach on his project Bal (2012).[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Pierre-Emmanuel SORIGNET<\/strong>, dancer”][vc_column_text]In 1993, Pierre-Emmanuel Sorignet participated in a danced opera by Philip Glass, choreographd by Birgitta Trommler in Germany. He has also worked with the Compagnie Silenda (Laura Simi, Damiano Fo\u00e0). More recently, he collaborated with the Ben A\u00efm brothers, and with H\u00e9la Fattoumi and \u00c9ric Lamoureux. He is an associate researcher at the Social Sciences Laboratory at the Ecole Normale Sup\u00e9rieure (ULM) and is a senior lecture at the University of Toulouse III. His sociology work is focused mostly on \u201cdance as a profession\u201d and he has written several sociological articles with this theme. The synthesis of this work was in a book published in 2010 by \u00c9ditions La d\u00e9couverte: Danser, enqu\u00eate dans les coulisses d\u2019une vocation.<\/em>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Nele SUISALU<\/strong>, dancer”][vc_column_text]Born in Estonia, Nele Suisalu, after studying semiotics, earned a degree in choreographic research in 2005 at the University of Tallinn. Shortly afterward she returned to her language studies and earned a masters degree in interpreting at the University of Tartu. At the same time she created her first dance work and began writing dance criticism for the Estonian cultural weekly Sirp and the magazine Teater.Muusika.kino.<\/p>\n

In 2007, she began studying in the ex.e.r.ce training program at the CCN of Montpellier Languedoc-Roussillon directed by Mathilde Monnier, with Xavier Le Roy as guest artistic advisor. She moved to France while staying in contact with her native Estonia, and began dancing with a wide range of choreographers: Laure Bonicel (Bad Seeds<\/em>), the Cie \u00c9tant Donn\u00e9 (Fr\u00e9d\u00e9rike Unger and J\u00e9r\u00f4me Ferron) on Imago and Opus 1<\/em>, H\u00e9l\u00e8ne Iratchet (Hommage d\u2019un demi-dimanche<\/em>, 2010) and Anne Lopez.<\/p>\n

She also created her own works in collaboration with Florent Hamon through their company, Nomad\u2019act. Her work has been presented in France, Estonia, Poland, Turkey, Russia, Portugal and Germany. In 2010, she created the solo HOME(lessness)SICKNESS<\/em> as part of the European project Looping initited by Uz\u00e8s danse \u2013 CDC of Uz\u00e8ge, the Gard and Languedoc-Roussillon. In 2011, she also began studying voice. She has danced in Fl\u00e2nerie<\/em>, Masculines<\/em> and Waves<\/em> by H\u00e9la Fattoumi and \u00c9ric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Thierry THIE\u00db NIANG<\/strong>, choreagrapher and performer”][vc_column_text]The dancer and choreographer Thierry Thie\u00fb Niang works to bring together generations and the movements of bodies and minds, working with children, older amateur dancers, prisoners or those on the autism spectrum.
\nDance for him is a space for sharing imagination, languages and cultures. He works in theatre, opera, dance and film. This season he has worked with artists such as Marie Desplechin, Ariane Ascaride, Marie Bunel, Camille, C\u00e9lie Pauthe, L\u00e9na Paugam, Anne Alvaro, Audrey Bonnet, C\u00e9cile Cozzolino, Claude Duparfait, Eric Soyer, Philippe Forget, Eric Lamoureux, Vincent Dissez, Jimmy Boury, Patrick Autr\u00e9aux, Philippe Lefait and Roland Auzet.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Moustapha ZIANE<\/strong>, dancer”][vc_column_text]Having been awarded a gold medal at the Conservatory in Grenoble in 1993, Moustapha Ziane studied at the CNDC in Angers in 1996. In 1997, he began dancing for H\u00e9la Fattoumi and \u00c9ric Lamoureux in Asile Po\u00e9tique<\/em> and Wasla<\/em>, and continued over the next ten years with, among others, Des Souffles de vie<\/em> (2000), Zone sensible,<\/em> La Mad\u00e2\u2019a<\/em> (2004), La Danse de Pi\u00e8ze<\/em> (2007) and Just to Dance\u2026<\/em> (2010).
\nMoustapha Ziane has also worked with a number of other choreographers, among them R\u00e9gis Obadia, Jo\u00eblle Bouvier, Claudio Bernardo \u2026 And he is also heavily involved in music and singing.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=”Francesca ZIVIANI<\/strong>, dancer”][vc_column_text]Francesca Ziviani was born in 1985 in Merano, Italy. After studying art in Italy, she moved to France in 2004 and began studying at the CNSM in Lyon. She earned her degree in 2008 and began performing with various choreographers, among them Fr\u00e9d\u00e9ric Lescure, Emilio Calcagno, Fr\u00e9d\u00e9ric Cell\u00e9 as well as the Compagnie \u00c9tant Donn\u00e9. In 2010, she danced with Olivier Dubois, the Ben A\u00efm brothers, the Compagnie KassenK and Osman Kheili. Since 2009, she has worked with Les Gens d\u2019Uterpan \u2013 Annie Vigier and Franck Apertet on several pieces. From 2011- 2013, she joined the CCN in Grenoble for Jean-Claude Gallotta\u2019s revival of Daphnis et Chlo\u00e9<\/em>. She also danced with the Compagnie Ando of Davy Brun. She worked with the filmmaker Philippe Grandrieux on his film\/ installation Meurtri\u00e8re<\/em>, and with the Cie de Adrien Mondot and Claire Bardaine. She joined the CCN de Caen\/ Basse-Normandie for Waves<\/em> (2014), under the direction of H\u00e9la Fattoumi\/ Eric Lamoureux.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"[vc_row][vc_column width=”1\/4″ animation=”none” column_padding=”no-padding” column_center=”” text_size=”petit” text_align=”left” el_class=”text-left”][minti_headline type=”h2″ font=”font-inherit” size=”fontsize-m” weight=”fontweight-inherit” lineheight=”lh-inherit” transform=”transform-inherit” align=”align-center” margin=”0 0 […]","protected":false},"author":1,"featured_media":732,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"categorie-page":[],"class_list":["post-1094","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/pages\/1094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/comments?post=1094"}],"version-history":[{"count":31,"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/pages\/1094\/revisions"}],"predecessor-version":[{"id":1162,"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/pages\/1094\/revisions\/1162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/media\/732"}],"wp:attachment":[{"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/media?parent=1094"}],"wp:term":[{"taxonomy":"categorie-page","embeddable":true,"href":"https:\/\/www.viadanse.com\/en\/wp-json\/wp\/v2\/categorie-page?post=1094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}